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Monday, March 25, 2019

The Conveyance of Emotion in the Writing of Zora Neale Hurston Essay

The Conveyance of Emotion in the Writing of Zora Neale Hurston Sharpening Her Oyster Knife I am not tragically colored. There is no great sadness dammed up in my soul, nor lurking behind my eyes. I do not understanding at all. I do not belong to the sobbing school of Negrohood who hold that nature somehow has given them a lowdown dirty guide and whose feelings are all hurt about it....No, I do not weep at the world -- I am too crabbed sharpening my oyster knife. ___Zora Neale Hurston Zora Neale Hurston kept busy sharpening her oyster knife not to stimulate for any violent confrontations with white society but sort of the opposite, to crush out the raw materials from her own culture and cultivate them into priceless treasures. To Hurston the Negro was unendingly in vogue (Hughes). She didnt wait for the white culture to place its cast of approval on the subject matter she knew and loved so well. In her well-kno wn essay, How It Feels to Be Colored Me, Hurston makes reference to societys view of her a the granddaughter of slaves It is quite exciting to hold the center of the national stage, with the spectators not knowing whether to caper or to weep. Hurston must have felt that way about her makeup also she threw it out there and let the audience do with it what they willed. sometimes we laugh sometimes we cry. But humor always hovers nearby in all of her writing and serves as the emotional salvation needed to enshroud for the often heavy subject matter (Fauset, 166). Throughout Their Eyes Were honoring God, Hurston indicates that to refuse ones heritage is cultural suicide, and the loss of laughter represents an early symptom. In the novel, throug... ...w York HarperCollins, 1995. Hurston, Zora Neale. The Gilded Six-Bits. ZNH The Complete Stories. Hurston, Zora Neale. Their Eyes Were Watching God. New York J. B. Lippincott Company, 1937. Jones, Gayl. Breaking co me in of the Conventions of Dialect. Zora Neale Hurston Critical Perspectives Past and Present. Eds. atomic number 1 Louis Gates, Jr. and K. A. Appiah. New York Amistad, 1993. Lowe, John. Cast in Yo Nets full Here Finding a Comic Voice. Jump at the Sun. Urbana and Chicago University of Illinois Press, 1994. Miller, Rachel. archives Strategy in Hurstons Sweat. http//www.as.wvu.edu/ginsberg/sweat.htm Wall, Cheryl A. Zora Neale Hurston Changing Her Own Words. Zora Neale Hurston Critical Perspectives Past and Present. Eds. Henry Louis Gates, Jr. and K. A. Appiah. New York Amistad, 1993.

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