Ode to autumn

The Composition of To Autumn Keats wrote To Autumn after enjoying a pin down autumn day; he described his experience in a letter to his friend Reynolds: How pulchritudinous the season is now--How finely the air. A temperate sharpness about it. Really, without joking, chaste weather--Dian skies--I neer likd stubble fields so much as now--Aye bump than the chilly green of the spring. Somehow a stubble homelike looks warm--in the same way that some pictures look warm--this struck me so much in my Sundays walk that I composed upon it. ecumenical Comments This ode is a favorite with critics and poetry lovers alike. Harold Bloom calls it one of the subtlest and more or less beautiful of all Keatss odes, and as close to perfect as each shorter verse form in the English Language. Allen Tate agrees that it is a very well perfect piece of style; however, he goes on to say, it has secondary to say. This ode deals with the some of the concerns presented in his other odes, furthe r there ar also significant differences. (1) There is no visionary escapist or attempted flight from pragmatism in this poem; in fact, there is no report voice or persona at all. The poem is grounded in the real innovation; the vivid, concrete imagery immerses the reader in the sights, feel, and sounds of autumn and its progression. (2) With its enactment of the progression of autumn, the poem is an unqualified rejoicing of shape. (I am exploitation the words process, flux, and change interchangeably in my discussion of Keatss poems.) Keats totally accepts the natural world, with its mixture of ripening, fulfillment, dying, and death. Each stanza integrates suggestions of its turnabout or its predecessors, for they be inherent in autumn also. Because this ode describes the process of fruition and decay... If you call for to get a full essay, point it on our website: OrderCustomPaper.com

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